Shakespeare and the Velvet Underground. Shaken, not stirred. The cityscapes that Dusty Santamaria conjures up are refuges for both refuse and revelation where the low and high aspects of our spirits (and, by extension, our culture) co-mingle in a lovers’ dance. His songs, poetry, and paintings are filled with religious imagery, classical references, and the smoky, yellow light that spills into the street, bubbling up from the bottom crust through the cracks in the fabric of our society. “Symbols, images, and surrealist dreams- My Mind’s a junkyard,” Dusty laments in “Shiverin, moanin, shaking, stoned,” the second song on the Sylvia Says EP. The characters that inhabit Santamaria’s cityscapes are restless, plagued by vice, and haunted by an impending sense of emptiness. Everyone is looking for an escape though they know they must return to the emptiness. Everyone is looking for meaning though they know modern reality is cruel and mechanical. Above all, everyone is looking for love… with only fleeting moments of tenderness afforded.
Soundspace is a new radio-based installation series for Freeform Portland focused on recontextualizing radio as a space for new modes of listening, hosted by sound artists Samson Stilwell (who played the second Foreign Accents show ever at Turn! Turn! Turn! in October, thank you Samson!) and Ben Glas. Each month a new sound artist installs an exploratory piece to the airwaves for you to mull over, get lost in, and whatever else works. The series, which meets every other Sunday from noon to 2pm, is live-streamed at Beacon Sound, but the general idea is that the broadcasting medium puts the concept of a sonic installation tied to a specific locality in a new, far more flexible cast.
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